Spencer Myer
pianist
  • Biography
  • Repertoire
  • Discography
  • Reviews
  • Itinerary
  • Media
Spencer Myer

Lauded for “superb playing” and “poised, alert musicianship” by The Boston Globe and labeled “definitely a man to watch” by London’s The Independent, American pianist SPENCER MYER is one of the most respected and sought-after artists on today’s concert stages.

Spencer Myer includes in his current season debuts with Missouri’s Springfield Symphony Orchestra , Canton Symphony Orchestra in his native Ohio and Pennsylvania’s Altoona Symphony Orchestra, as well as a return engagement with the Boise Philharmonic. Solo recitals and chamber music collaborations throughout the United States are highlighted by additional appearances with the internationally renowned Dorian Wind Quintet and a New York City appearance on the George London Foundation’s Morgan Library & Museum series with soprano Erin Wall and baritone Zachary Nelson. He continues as half of the Daurov/Myer Duo, having teamed up with the award-winning cellist Adrian Daurov in 2012.

Spencer Myer’s orchestral, recital and chamber music performances have been heard throughout the United States, Canada, Europe, Africa and Asia. He has been soloist with, among many others, The Cleveland Orchestra, Boise, Dayton and Louisiana philharmonic orchestras, Pro Arte Chamber Orchestra of Boston, the Altoona, Baton Rouge, Bozeman, Canton, Duluth Superior, Indianapolis, Juneau, Knoxville, Macon, Missoula, New Haven, Phoenix, Ridgefield, San Juan, Santa Fe, Springfield (MA, MO, OH), Traverse, Tucson and Wyoming symphony orchestras, Indianapolis Chamber Orchestra, The Park Avenue Chamber Symphony, Mexico’s Orquesta Filarmónica de Jalisco, South Africa’s Cape Town and Johannesburg philharmonic orchestras and Beijing’s China National Symphony Orchestra, collaborating with, among others, conductors David Bernard, Nicholas Cleobury, Robert Franz, Neal Gittleman, Bernhard Gueller, Jacques Lacombe, Jahja Ling, Dirk Meyer, Timothy Muffitt, Maurice Peress, Kyle Wiley Pickett, Arthur Post, Kevin Rhodes, Lucas Richman, Matthew Savery, Klauspeter Seibel, Steven Smith, Gerald Steichen, Arjan Tien and Victor Yampolsky. His 2005 recital/orchestral tour of South Africa included a performance of the five piano concerti of Beethoven with the Chamber Orchestra of South Africa, followed by return orchestra and recital tours in 2008, 2010, 2012 and 2015.

Spencer Myer’s recital appearances have been presented in New York City’s Weill Recital Hall, 92nd Street Y and Steinway Hall, Philadelphia’s Kimmel Center and London’s Wigmore Hall, while many of his performances have been broadcast on WQXR (New York City), WHYY (Philadelphia), WCLV (Cleveland) and WFMT (Chicago). An in-demand chamber musician, he appeared for three summers at the Lev Aronson Legacy Festival in Dallas with cellists Lynn Harrell, Ralph Kirshbaum, Amit Peled and Brian Thornton, and enjoys a recurring partnership with the Miami String Quartet at the Kent/Blossom Music Festival. Other artistic partners include clarinetist David Shifrin, Cardiff Singer of the World winner Nicole Cabell, the Jupiter, Manhattan and Pacifica string quartets and the Dorian Wind Quintet. Festival appearances have included those of the Bard, Blossom, Cape Cod Chamber, Colorado, Mendocino and Skaneateles music festivals, Canada’s Concerts aux Iles du Bic, Spain’s Gijon International Piano Festival and Valencia International Piano Academy, and Indonesia’s Yogyakarta International Music Festival.

Spencer Myer’s career was launched with three important prizes: First Prize in the 2004 UNISA International Piano Competition in South Africa, the 2006 Christel DeHaan Classical Fellowship from the American Pianists Association and the Gold Medal from the 2008 New Orleans International Piano Competition. Additionally, he is a laureate of the 2007 William Kapell, 2005 Cleveland and 2005 Busoni international piano competitions. He also enjoys an expanding reputation as a vocal collaborator since winning the 2000 Marilyn Horne Foundation Competition. Mr. Myer was a member of Astral Artists’ performance roster from 2003-2010.

An enthusiastic supporter of the education of young musicians, Spencer Myer has been a frequent guest artist at workshops for students and teachers, and has served on the faculties of the Baldwin-Wallace University and Oberlin College conservatories of music. Mr. Myer is also an advocate of contemporary music and inter-arts collaboration, and has worked with ICE (International Contemporary Ensemble), Indianapolis’ Dance Kaleidoscope and The Juilliard School’s “Composers and Choreographers” series. He is a graduate of the Oberlin Conservatory, The Juilliard School and Stony Brook University. In the fall of 2015, Mr. Myer was appointed Artist-Teacher in Piano and Collaborative Piano at the Longy School of Music of Bard College.

Spencer Myer’s debut CD for harmonia mundi usa - solo music of Busoni, Copland, Debussy and Kohs - was released in the fall of 2007 to critical acclaim by Fanfare and Gramophone magazines. He can also be heard on a composer-conducted Naxos CD in performances of three concerti from Huang Ruo’s Chamber Concerto Cycle and in a performance of Ravel’s Chansons madécasses, included on "Intimate Masterpieces," a 2013 CD featuring faculty and alumni of the Oberlin Conservatory and issued by Oberlin Music. Mr. Myer’s most recent recordings – "William Bolcom: Piano Rags" and the Brahms Cello Sonatas with Brian Thornton – were both released in 2017 on the Steinway & Sons label.

Spencer Myer is a Steinway Artist.

www.spencermyer.com

[CHAMBER ENSEMBLE REPERTOIRE FOLLOWS CONCERTO LIST]

BACH, J.S.

Concerto #1 in c for 2 Pianos, BWV 1060

BEETHOVEN

Concerto #1 in C, Op. 15
Concerto #2 in B-flat, Op. 19
Concerto #3 in c, Op. 37
Concerto #4 in G, Op. 58
Concerto #5 in E-flat, Op. 73 ("Emperor")
Fantasia in c, Op. 80 ("Choral Fantasy")

BERNSTEIN

Symphony #2 ("Age of Anxiety")

BRAHMS

Concerto #1 in d, Op. 15
Concerto #2 in B-flat, Op. 83

CHOPIN

Andante Spianato & Grande Polonaise, Op. 22
Concerto #1 in e, Op. 11
Concerto #2 in f, Op. 21

FALLA

Nights in the Gardens of Spain

GERSHWIN

Concerto in F
Rhapsody in Blue
Second Rhapsody
Variations on I Got Rhythm

GOTTSCHALK

Grande Tarantelle

GRIEG

Concerto in a, Op. 16

D’INDY

Symphony on a French Mountain Air

LISZT

Concerto #2 in A
Totentanz

MENDELSSOHN

Capriccio brilliant in b, Op. 22

MOZART

Concerto #9 in E-flat, K. 271
Concerto #10 in E-flat for 2 Pianos, K. 365
Concerto #20 in d, K. 466
Concerto #21 in C, K. 467
Concerto #24 in c, K. 491
Concerto #25 in C, K. 503
Concerto #26 in D, K. 537 (“Coronation”)

PROKOFIEV

Concerto #2 in g, Op. 16
Concerto #3 in C, Op. 26

RACHMANINOFF

Concerto #1 in f#, Op. 1 (rev. 1917)
Concerto #2 in c, Op. 18
Concerto #3 in d, Op. 30
Rhapsody on a Theme of Paganini, Op. 43

RAVEL

Concerto in D for the Left Hand
Concerto in G

SAINT-SAËNS

Africa in g, Op. 89
Carnival of the Animals
Concerto #2 in g, Op. 22
Concerto #4 in c, Op. 44
Concerto #5 in F, Op. 103

SCHUMANN

Concerto in a, Op. 54
Konzertstück, Op. 92

SHOSTAKOVICH

Concerto #2 in F, Op. 102

STRAVINSKY

Concerto for Piano & Winds

TCHAIKOVSKY

Concerto #1 in b-flat, Op. 23

 

BARTÓK Piano Quintet
BEETHOVEN Piano Trio #4 in D, Op. 70, #1 (“Ghost”)
Piano Trio #5 in E-flat, Op. 70, #2
Piano Trio #6 in B-flat, Op. 97 (“Archduke”)
BRAHMS Clarinet Trio in a, Op. 114
Horn Trio in E-flat, Op. 40
Piano Trio #1 in B, Op. 8
Piano Trio #2 in C, Op. 87
Piano Trio #3 in c, Op. 101
Piano Quartet #1 in g, Op. 25
Piano Quartet #2 in A, Op. 26
Piano Quintet in f, Op. 34
CHAUSSON Piano Quartet in A, Op. 30
DOHNÁNYI Piano Quintet #2 in e-flat, Op. 26
DVORÁK Piano Quintet in A, Op. 81
FAURÉ Piano Quartet #1 in c, Op. 15
HOIBY Sextet for Wind Quintet & Piano
LOEFFLER Four Poems (with mezzo-soprano & viola)
MENDELSSOHN Piano Trio #2 in c, Op. 66
MOZART Quintet in E-flat for Piano & Winds, K. 452
POULENC Trio for Oboe, Bassoon & Piano
Sextet for Piano & Woodwind Quintet
PREVIN Four Songs (with soprano & cello)
RAVEL Piano Trio in a
SCHICKELE Serenade for Three
SCHUBERT Piano Trio #2 in E-flat, D. 929
Quintet in A for Piano & Strings, D. 667 (“Trout”)
SCHUMANN Piano Quintet in E-flat, Op. 44
SHOSTAKOVICH Piano Trio #2 in e, Op. 67
TCHAIKOVSKY Piano Trio in a, Op. 50
THUILLE Sextet in B-flat for Piano & Woodwind Quintet, Op. 6
ZEMLINSKY Piano Trio in d, Op. 3
Spencer Myer Plays Preludes & Variations

WILLIAM BOLCOM: PIANO RAGS

Ghost Rags (3)
Classic Rags (3)
Raggin’ Rudi
Fields of Flowers
Epithalamium
The Garden of Eden
Knockout
Estela “Rag Latino”
The Brooklyn Dodge

Steinway & Sons CD: STNS30041

Spencer Myer Plays Preludes & Variations

“SPENCER MYER - LIVE IN RECITAL”

Beethoven: Sonata #14 in c-sharp, Op. 27, #2 (“Moonlight”)
Chopin: Barcarolle in F-sharp, Op. 60
Chopin: Waltz #5 in A-flat, Op. 42
Ravel: Alborada del gracioso
Albéniz: Iberia, Book II
Vine: Piano Sonata #1 (1990)
Wild: Etude #4 on Gershwin’s Embraceable You
Wild: Etude #6 on Gershwin’s I Got Rhythm

(private label)

Spencer Myer Plays Preludes & Variations

"SPENCER MYER PLAYS PRELUDES & VARIATIONS"

Kohs: Variations on L’Homme Armé
Copland: Piano Variations
Busoni: 10 Variations on a Prelude of Chopin
Debussy: Préludes, Book II

harmonia mundi usa: 907477

BRAHMS: CELLO SONATAS

Brian Thornton, cellist

Steinway & Sons CD: STNS30081

Spencer Myer Plays Preludes & Variations

“KOL NIDREI & BEYOND: LEV’S STORY”

Bruch: Kol Nidrei
Leonovich: Fantasie on Themes from Dvorák’s Opera Rusalka
Rachmaninoff: Vocalise, Op. 34, #14
Aronson: Hassidic Dance
Aronson/Anski: Mipnei Ma
Aronson/Bloch: Abodah
Aronson/Lavry: Kinereth
Zimmerli: Sonata Kol Nidrei
Bloch: Prayer from Jewish Life, No. 1
Brian Thornton, cellist

(private label)

Spencer Myer Plays Preludes & Variations

MAURICE RAVEL - “INTIMATE MASTERPIECES”

Introduction & Allegro
Yolanda Kondonassis, harpist
Alexa Still, flutist
Richard Hawkins, clarinetist
Jupiter String Quartet
String Quartet in F
Jupiter String Quartet
Chansons madécasses
Ellie Dehn, soprano
Alexa Still, flutist
Daniel McDonough, cellist
Spencer Myer, pianist
Cinq mélodies populaires grecques
Ellie Dehn, soprano
Yolanda Kondonassis, harpist

Oberlin Music CD: OC-13-04

Huang Ruo

HUANG RUO

Chamber Concerto Cycle
Yueh Fei: Concerto #1 for 8 Players (2000)
The Lost Garden: Concerto #2 for 8 Players (2001)
Divergence: Concerto #3 for 5 Players (2001)
International Contemporary Ensemble
Huang Ruo, conductor

NAXOS: 8.559322

Myer’s programme was itself a showcase, offering an interesting mix of styles [Haydn, Debussy, Liszt, Albeniz, Moszkowski]. After making the hardest things look easy, Myer played us out with a gentle Bach transcription, whose web of cantabile themes went at different speeds and cast a lovely spell. Myer is definitely a man to watch.

THE INDEPENDENT (London)

This is one gorgeously played and engineered album [Bolcom: Piano Rags], and the music is sophisticated and charming. William Bolcom has done for rags what Chopin did for polonaises, staying true to the rhythms of a popular dance while adding to it the touch of a skilled composer and harmonist. Spencer Myer’s playing is truly outstanding; his dynamics, phrasing and use of rubato are all well considered, and he’s sensitive to every compositional and structural detail. His tone is gloriously warm and burnished, and the acoustics flatter him with their evenness and clarity; the piano is represented perfectly. Get this one!

AMERICAN RECORD GUIDE

Spencer Myer gave a thoughtful, satisfying recital at the Phillips Collection. This youngish American artist has amassed a varied career of solo engagements, chamber music and lieder accompaniment, a healthy diversity that guards against the it's-all-about-me attitude one sees in many pianists. The program consisted of Debussy, Albeniz and Moszkowski. All well and good, with Myer displaying intelligent musicianship and excellent keyboard command. He gives the impression of playing music, not the piano; overall the concentration and keyboard imagination were exemplary.

THE WASHINGTON POST

With crisp timing, exquisite touch, and a firm grasp of musical proportion, American pianist Spencer Myer earned the top spot in the 20th annual New Orleans International Piano Competition. His 50-minute recital matched what veteran observers and the six-person jury had seen throughout the competition: an unruffled professional who consistently drew singing, lyrical sounds from his Steinway concert grand.

THE TIME-PICAYUNE (New Orleans)

In an intimate space, an intricate performance fit for a king [headline]
The sense of immediacy was present throughout Chameleon’s concert, nowhere more so than in its centerpiece: an impassioned and broadly scaled performance of the Brahms Piano Quintet. One could hear and admire not just the familiar, surging themes but also the intricate details that often go unnoticed in the tumult. That intimacy also allowed one to appreciate the superb playing of guest pianist Spencer Myer, who anchored the Brahms with poised, alert musicianship and generous tone.

THE BOSTON GLOBE

Spencer Myer is a pianist on the rise. His playing was a model of refinement, urgency and aristocratic vitality.

THE PLAIN DEALER (Cleveland)

Over several decades, Bolcom combined his gifts to forge a collection of piano rags that have kept performers and listeners mesmerised. Spencer Myer certainly sounds smitten with these disarming pieces. He plays Bolcom’s miniature brainstorms with equal doses of sass and sweetness, giving full voice to the drama, poetry and humour that overflow from the page.

GRAMOPHONE

Spencer Myer gave an impressive, elegant rendering of Rachmaninoff's Rhapsody on a Theme of Paganini, earning a standing ovation and a trio of curtain calls. We would like to hear more from this young talent.

DAYTON DAILY NEWS

Spencer Myer, who often plays here [with Haddonfield Symphony Orchestra] played the Ravel concerto with so much personal affection as to seem self-indulgent in another setting. But with Milanov’s ultra-sympathetic accompaniment and the hall’s close-range sound, you had to be thoroughly drawn in - so much that all the Chopin-esque touches more experienced pianists have unsuccessfully tried to bring to the piece seemed convincing from him.

PHILADELPHIA INQUIRER

Not only is Myer an entirely finished artist, but his playing was so acutely logical yet expressive that the inimitable Mozartean magic of a great performance was patently evident.

THE CITIZEN (Johannesburg)

There was plenty of lyricism in his interpretation [Prokofiev Sonata #7], and not only in the bitter song of the second movement. The finale - a fearsome juggernaut of syncopated, single-minded energy - wasn’t used as an excuse to hammer the listener into admiration. There was a lot of admiration to spare for Myer after the final pounding notes, however, as the audience erupted in cheers.

THE INDIANAPOLIS STAR

Myer played Concerto No. 5 with panache and exhilarating fleetness. Most importantly, he showed an overall grasp of Beethoven’s characteristic idiom and method. He was always acutely sensitive to the composer’s many subtleties. Above all, he remained supremely poetic. It was nuanced playing to the hilt, warm as well as virtuosic. He fully deserved the ecstatic audience’s standing ovation.

PRETORIA NEWS

If you could grant an award for most imaginative and thoughtful piano recital programming, Spencer Myer's solo debut would win hands down. I await his future CD releases with interest, and also hope to hear him in concert.

CLASSICS TODAY.com

A new series from Harmonia Mundi USA presents three young American pianists, all fellows of the American Pianists Association and all destined for major careers. Classics of the American piano repertory are the main attraction; recording quality is excellent and the presentation, with informative booklet notes and the tasteful photos, entirely free of marketing hype. Spencer Myer starts splendidly with the premiere recording of a minor masterwork. Ellis Kohs, after studies with Piston and Stravinsky, spent most of his life teaching at the University of Southern California; his Variations on L'homme armé were written just after World War II. In around six minutes, Kohs puts the famous Renaissance tune through a dizzying variety of settings, moving from simple counterpoint to violent dissonance and back again. Myer's clarity of touch, rhythmic buoyancy and clean textures should win many new friends for this and Busoni's variations on Chopin's C minor Prelude.

BBC MUSIC MAGAZINE

Young pianist thrills audience [headline]
The gifted young American pianist, Spencer Myer, brought his impeccable performance skills to the Tennessee Theatre for the opening performance of the Knoxville Symphony Orchestra’s 73rd season.

KNOXVILLE NEWS-SENTINEL

PIANIST MYER OFFERS A RARE TREAT
Those who were in the audience for the Artist Series solo recital with pianist Spencer Myer can consider themselves lucky. Myer is a masterful artist who can thrill even the most jaded listener, which he did so thoroughly in his first Sarasota appearance. What was most striking about this program was the extreme breadth of style tackled by the soloist. Myer managed the delicacy and relative control of the Handel Suite, ventured into modernism with Janacek and back again to early Romanticism with Beethoven and Schubert, doing so with a firm scholarly basis for his expressive fluency.

SARASOTA HERALD TRIBUNE

Spencer Myer, familiar to northern Minnesota audiences, but in his first performance with the DSSO, came on stage with Maestro Meyer. They teamed up to present the crown of Beethoven’s five piano concertos, No. 5 in E-flat major. Meyer and Myer were supremely smooth and graceful, offering one of the most lyrical performances of this work I’ve ever heard. The audience erupted with overflowing enthusiasm.

DULUTH NEWS TRIBUNE

American Exceptionalism: The Cliburn closes its American influence festival with a terrific concert at the Kimbell Arts Museum [headline]
The Cliburn name is inextricably connected to the piano, and Sunday’s concert brought us four pianists. Two of them performed collaboratively, But Spencer Myer and Henry Kramer each had a solo turn, and both wowed listeners. Spencer Myer’s performance of Copland’s Piano Variations served as a delightful reminder that Copland had a considerable output of abstract music. Myer’s remarks about the piece were brief and helpful. His playing–his playing was transfixing. In less capable hands, this music could seem like a mere exercise in complexity. Myer, though, produced interesting lines, varied sonorities, and ringing overtones.

THEATER JONES (North Texas)

Springfield Symphony Orchestra delights with Mozart, Beethoven [headline]
Spencer Myer is a frequent guest, having played both Mozart and Rachmaninoff with them since 2012. Myer brought precision and beautiful tone to bear in the Beethoven Emperor Concerto. His scrupulous articulation combined with the piano’s bell-like upper register to make Beethoven’s sweeping passagework positively sparkle. The Adagio was profoundly beautiful. Beethoven’s galloping finale ignited a standing ovation and sent everyone home singing.

THE REPUBLICAN  (Springfield, MA)

6/20/2017 (7:30pm)

NYCA SYMPHONY ORCHESTRA

Eduard Zilberkant, conductor

Symphony Space (NYC)
Beethoven: Piano Concerto #4

7/5/2017 (7:30pm)

KENT/BLOSSOM MUSIC FESTIVAL

Ludwig Recital Hall

Brahms: Piano Quartet #2
with Miami String Quartet

7/9/2017 (4pm)

LYRA MUSIC, INC.

Earle Recital Hall, Smith College (Northampton, MA)

Haydn: Piano Sonata #40
Chopin: 3 Mazurkas
Chopin: Barcarolle
Chopin: Polonaise-Fantaisie
Ravel: Miroirs
Bolcom: 4 rags

9/27/2017 (7:30pm)

MARIGOLD CULTURAL CENTRE (Truro, NS)

Recital

10/1/2017 (2pm)

SUNDAY MUSIC IN THE GARDEN ROOM (Wolfeville, NS)

K.C. Irving Environmental Science Centre, Acadia University

Recital

10/16/2017 (1pm)

BERNARDS TOWNSHIP LIBRARY

Westminster Hall, The Presbyterian Church of Basking Ridge (NJ)

Duo-Recital with Adrian Daurov, cellist

10/21/2017 (7:30pm)

SOUTHEAST IOWA SYMPHONY ORCHESTRA

Robert McConnell, conductor
The Burlington Capitol Theater

Beethoven: Piano Concerto #4

10/22/2017 (3pm)

SOUTHEAST IOWA SYMPHONY ORCHESTRA

Robert McConnell, conductor
Bridge View Center Theater (Ottumwa)

Beethoven: Piano Concerto #4

10/22/2017 (7:30pm)

SOUTHEAST IOWA SYMPHONY ORCHESTRA

Robert McConnell, conductor
Iowa Wesleyan University Chapel Auditorium (Mount Pleasant)

Beethoven: Piano Concerto #4

10/24/2017 (7:30pm)

TUESDAY EVENING CONCERT SERIES

Cabell Hall Auditorium, University of Virginia (Charlottesville)

Mendelssohn: Violin Sonata in F
Bloch: Ball Shem
Debussy/Heifetz: Beau soir
Franck: Violin Sonata
Ravel: Tzigane
with Yevgeny Kutik, violinist

11/3/2017 (7:30pm)

BROOKLYN ART SONG SOCIETY (NYC)

Great Hall, Brooklyn Historical Society

Duparc: selected songs
Chausson: selected songs
with Tami Petty, soprano
Mario Diaz-Moresco, baritone

11/5/2017 (6pm)

MUSICAL ARTS SOCIETY OF NEW ORLEANS (LA)

The Ritz-Carlton, New Orleans

Recital

11/12/2017 (3pm)

SMITHSONIAN AMERICAN ART MUSEUM (Washington, DC)

Nan Tucker McEvoy Auditorium

Duo-Recital with Adrian Daurov, cellist
Beethoven: 12 Variations, WoO 45
Mendelssohn: Cello Sonata #2
Foss: Capriccio
Prokofiev: Cello Sonata

11/19/2017 (2pm)

InCONCERT SIERRA

Grass Valley Seventh-day Adventist Church (CA)

Recital

1/12/2018 (8pm)

THE WAYLAND CONCERT SERIES (MA)

Main Stage, Wayland High School

Recital

1/17/2018 (7:30pm)

THE UNIVERSITY OF ARIZONA (Tucson)

with Yevgeny Kutik, violinist

2/3/2018 (7pm)

DULUTH SUPERIOR SYMPHONY ORCHESTRA (MN)

Dirk Meyer, conductor
Duluth Entertainment Convention Center Auditorium

Falla: Nights in the Gardens of Spain

2/10/2018 (7:30pm)
2/11/2018 (3pm)

GRAND JUNCTION SYMPHONY (CO)

Charles Latshaw, conductor
The Avalon Theatre

Rachmaninoff: Piano Concerto #2

2/16/2018 (7:30pm)

FLAGSTAFF SYMPHONY ORCHESTRA

Charles Latshaw, conductor
Ardrey Memorial Auditorium, Northern Arizona University

Rachmaninoff: Piano Concerto #2

3/16/2018 (6:30pm)
3/17/2018 (8pm)

RHODE ISLAND PHILHARMONIC ORCHESTRA

Victor Yampolsky, conductor
Veterans Memorial Auditorium (Providence)

Bernstein: Symphony #2, Age of Anxiety

3/24/2018 (7:30pm)

ARTS IN THE VILLAGE

Goff Memorial Hall (Rehoboth, MA)

Duo-Recital with Adrian Daurov, cellist

3/25/2018 (3pm)

EDGEWOOD RETIREMENT COMMUNITY

Edgewood Auditorium (North Andover, MA)

Duo-Recital with Adrian Daurov, cellist

Chopin: Barcarolle in F-sharp, Op. 60
Bass Hall (Fort Worth, TX)
May, 2009

Debussy: “Feux d’artifice” (from Préludes, Book II)
Bass Hall (Fort Worth, TX)
May, 2009

Carl Vine: Piano Sonata No. 1 (mvt. I)
Bass Hall (Fort Worth, TX)
May, 2009

Carl Vine: Piano Sonata No. 1 (mvt. II)
Bass Hall (Fort Worth, TX)
May, 2009

Albéniz: “El Puerto” (from Iberia, Book I)
Loyola University (New Orleans, LA)
July, 2008

Debussy: “Poissons d’or” (from Images, Book II)
Loyola University (New Orleans, LA)
July, 2008